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Some unusual formations
Last update: 2 September 2016
Between Two (Ryng Dhui) Lines of 3, all facing anticlockwise around the room 32 bar galop A1 (8) Centre person with outside person, take 2 hands and galop anticlockwise around the room (8) Return A2 (8) Centre person with inside person, take 2 hands and again galop anticlockwise around the room (8) Return B1 (4) Centre person right arm turn with outside person (4) Centre person left arm turn with inside person (4) Centre person right arm turn with outside person (4) Centre person left arm turn with inside person B2 (12) Reel of 3, centre person pass outside person by the right shoulder to start (4) Centre people progress forward (anticlockwise) to the next line Note that the reel of 3 is quicker than usual, to allow time for the progression
Borrowdale Exchange 3 couples in a circle Scatter mixer 32 bar jig or reel A1 (16) All circle left and right A2 (8) Forward and back (8) Do si do partner B1 (8) Right-hand star holding hands with person opposite and with nobody else (8) Undo the star: the woman whose hand is lowest goes under (her new partner pulls her out while the others arch), then the next. Keep hold of the hands B2 (16) Promenade around and make new sets This can be done in groups of other than 3 couples. Indeed, as the dance continues, the dancers tend to make groups of fairly random numbers of couples
Bunyips Bandicoots Music: Sung by the dancers Easy Formation: A series of concentric circles, ie a small circle in the centre, a slightly larger circle around them and so on. Aim for 4 circles, but 3 is okay The dance is very simple: (8) Circle left (8) Circle right (8) To the middle and back (8) Turn single (hopping around rather than simply walking around) While singing (to the tune Frere Jacques): Bunyips, bandicoots, bunyips, bandicoots, Possums too, possums too, Wallabies and wombats, wallabies and wombats, Kangaroos, kangaroos Do it a few times so that everyone is familiar with the song and steps. Then comes the crunch: sing and dance it *as a round*. That is, just the centre circle starts, then the next circle joins in etc. At kids' dances I like to finish with this dance: it's easy, everyone can join in, the whole family can dance together, it's highly distinctive and very memorable. Here is a similar dance with a Christmas theme (it also includes a more difficult version in a square set).
CHOGM Pentrille by Norm Ellis Music: 5x64 bar jig or reel Medium Formation: 5 couples in a pentagon (really just a circle), numbered anticlockwise 14253 (yes, you read that correctly) A1 (8) Forward and back (8) Circle left A2 (8) Forward and back (8) Circle right B1 (16) Split the circle: everyone still holding hands, couple 1 go between lady 2 and man 5, then separate and go around the outside to their original place, dragging everyone else with them B2 (16) Split the circle the other way, lady 2 and man 5 going through couple 1 C (8) 1 swap with 2, 2s making an arch (8) 1 swap with 3, 3s making an arch (8) 1 swap with 4, 4s making an arch (8) 1 swap with 5, 5s making an arch D1 (16) Swing partner D2 (16) Promenade The numbering looks a bit unusual, but it makes sense when you get to the part where the 1s cross with each other couple in turn. The renumbering after each time through is not really a problem: couple 1 are obvious and they drive the dance. Note that it doesn't really matter if they split the circle in the wrong place, everyone still ends up where they are supposed to be.
Levi Jackson's Rag by Pat Shaw Music: 5x32 bar rag Medium-Hard Formation: 5 couples in a horseshoe, ie 4 couples in a becket set with a 5th couple at the top. This top couple is facing down, others facing across, everyone standing next to their partner with the woman on the right A1 (8) Sides right and left WHILE top couple go halfway down the middle (tops go down just after the sides cross over) (8) Sides right and left WHILE top couple go down to the bottom A2 (8) Sides hands 4 with the couple across and circle left WHILE tops separate and cast to the top (8) Everyone do si do partner B1 (8) All 5 ladies chain: ladies right hand star, go 2 places around (past your partner, past the next, to the next), do a courtesy turn with this man (8) 5 ladies chain again. Stay in the ladies chain hold B2 (4) Promenade one place around the set (12) Balance and swing B1 is where the dance falls apart. Men must take an active part here, both to assist the women into the star and then to take the appropriate woman out
The Mediocre Seven by Peter Foster Music: 7x32 jig or reel Hard Formation: Seven couples arranged in an elongated square containing one couple at the top, one at the bottom, two couples on each side and one couple in the middle A1 (8) Top and middle couples, half ladies chain. Middle couple do an extra half turn, then... (8) Middle and bottom couples, half ladies chain A2 Centre couple swing WHILE (8) Others promenade 2 places around the rectangle… (8) …then forward and back. Finish in the nice neat rectangle formation B1 (8) Left hand star 3/4: women in the bottom square, men in the top square (8) With the one you meet, right hand turn 1+1/2 to put the other person in B2 (8) Left hand star 3/4, men in the bottom square, women in the top square (8) Swing partner You keep your partner but progress to a different position in the set. Do 7 times to get everyone home. In the second half, the stars are a bit tricky - just go 3/4 around, then turn whoever is standing there. Note that if the first star takes you into the middle then you will also be involved in the second star. Don Richmond, of the Australian Colonial & Folk Dancers, has a fun addition for an extra challenge: in A1 have the sides do a ladies chain across and back while the others are doing the ladies chains up and down. So first the top square does a 4 ladies chain (as the bottom square just chains across), then the bottom square does a 4 ladies chain (as the top square chains across). Shouldn't be confusing at all... Based on The Magnificent Seven by Bob Archer.
Saturday the Thirteenth 13 Feb 2016 12 person square (a square with a line of 3 on each side) by Peter Foster Music: 32 bar jig or reel Medium A1 (8) Head lines go forward and back (8) Side lines go forward and back A2 (16) Threesomes do a reel of 3 B1 (7) Middles right hand star 3/4 to face a new couple on the outside (3) Middles change left hand with one of these new people (6) These new people star right halfway to meet a new couple (see note) B2 (16) Threesomes basket Certainly a bit different For the reel of 3, I suggest starting with the middle person passing their right hand person by the right shoulder, although it doesn't really matter much who you start with. As the middles make the right hand star, the people left behind should move sideways toward each other to close the gap between them, so that they are a clearly defined couple. This makes it easier for the people in the middle to find them. In B1, after the initial star right 3/4, the middles stay in the centre, facing a new couple. The middles then select one of these people and do a left hand half turn to swap places, so they finish on the outside, the new person finishes in the middle. Then these new people star right halfway (across the set). This results in one person progressing right and another progressing across, so you will quickly get to meet everyone else in the set.
Southern Cross Music: 5x64 bar jig or reel Medium Formation: 5 people in a cross - imagine a square set with an extra couple in the middle, except they are single people rather than couples. Numbered anticlockwise, with number 5 in the middle A1 (16) 4 outside people circle left and right (number 5 can show off) A2 (16) Number 5 grand chain around the set: right hand to 1, left to 4, right to 3, left to 2 (5 finishes in the centre) B1 (16) Arches: 2, 5 and 4 take hands in a line of three and make arches. 1 and 3 go clockwise through the arches (ie through the arch on their left and returning through the other arch). Go through the arches twice (but if they use the centre person as a support they can go through lots of times...) B2 (16) Arches on the other axis, made by 1, 5 and 3 C1 (16) Reel of 3 up and down (with 1, 5 and 3) C2 (16) Reel of 3 across (with 2, 5 and 4) D (8) Progression: 5 swing with 1, leaving 1 in the centre (8) 5 swing with 2, leaving them in position 1 (8) 5 swing with 3, leaving them in position 2 (8) 5 swing with 4, leaving them in position 3 (5 finishes in position 4) These swings should use the crossed-hand hold
Three’s a Crowd Lines of three around the room Mixer Music: 32 bar jig or reel by Peter Foster, 4 June 2012 A1 (8) Lines of 3 go forward. End people turn around to make a wavy line of 3 (8) Lines return (middle person going backwards) A2 (4) Balance forward and back (4) Middles turn right hand person (4) Middles turn left hand person, remake the wavy line (4) Balance forward and back B1 (16) Middle person move forward to a (semi random) new couple (end people can "launch" the middle person) B2 (16) Basket with your new threesome. Optionally finish with a different person in the middle Anyone not finding a new couple at the end of B1 should go into the middle of the room. They can then easily spot any spare couples. In B1, an alternative is for everyone to move forward, rather than just the middles. In this case, the "couples" need to keep pace with each other to avoid being separated For beginner dancers, leave out the balances in A2 (so just do right hand turn, left hand turn)
Troika Music: own tune Easy Formation: Line of three people, everyone facing the front (can also do it as threesomes around the room, all facing anticlockwise) A (8) 8 steps forward, on the 8th step raise hands and shout "Oy!" (8) 8 steps back, again shout "Oy!" B (8) Arches: centre and right hand person make an arch, left hand person go through the arch and around the centre person to place (others need to turn under their joined hands) (8) Arch on the other side C (12) Circle left 12 steps (4) 3 stamps (12) Circle right 12 steps (4) 3 stamps while breaking into a line of 3 (may optionally break in a different place to put someone else in the middle) When doing it around the room, the centres progress to a new line during the first part The band should increase the tempo as the dance continues
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Last modified 29 June 2008